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Creative inspiration is essential so our creatives all have top 20 Ad Agency experience, but they have all then gone on to prove that they can work in a wider creative environment, our team includes novelists, film directors, photographers, pop video creators, teachers at St Martin’s School of Art…
Creative workshops are useful, but they are not THE answer to creativity
Workshops, facilitation and lateral thinking techniques are invaluable to capture the wisdom & creativity in the team, but we strongly believe that they should not be relied upon as the principle source of creativity.
What other creative process uses a large group of people over only a few days to generate ideas? Music, film, novels, comedy, advertising are all created by individuals or pairs working over an extended period. So why is it that the default answer to brand positioning and innovation issues always seems to be “lets have a workshop”?
Innovation & brand positioning need just as much creative emphasis, attention & time as other creative challenges. Our approach is quite different. We use workshops to kickstart the process… but it is after the workshop that the creative work really begins, with our creative teams often working in pairs over an extended period.
In short, we believe there is a lot more to creativity than sitting on brightly patterned bean bags playing lateral thinking games!
You need senior teams
You want the people who turn up at the pitch. You don’t want to be passed down to other teams. You want experienced teams working on your business.
That’s why we have no juniors. All the team have 12-20 years experience.
Everyone says they are passionate
Passion is essential to get outstanding results. The problem is, it’s all too easy to claim. But if you have a true entrepreneurial spirit it is impossible not to show it.
We are always working on our own projects and we have just created and launched our own brand of super indulgent biscuits. We’ve just been listed by Virgin Atlantic – take a quick look at our website as it is a great example of our passion in action PTbakery.com
What you show consumers in qualitative research must be creatively excellent
Why is it that the stimulus shown to consumers at the strategic part of a project is often so boring? Stimulus has to do what it says… stimulate. This is a big issue for us and our whole methodology is based around this, see below…
A background to our methodology
Click here for published articles on our Adcept Methodology
We developed the ‘Adcept Methodology’ a number of years ago because of a growing frustration with ‘traditional’ methodologies for creating new brands, repositioning existing brands and defining communication strategies.
The methodology is used to:
- Position / re-position brands for growth
- Develop new brands, creating a real tangible positioning & brand personality
- Develop and scope innovation ideas
- Creatively explore and precisely define communication briefs
- Move innovation from a product idea to a brand idea
The problem with the traditional approach
Using mood boards & concept boards to explore new areas whether brand positioning, communication platforms or innovations in qualitative research has several problems:
- they are vague
- mood boards are generic by their very nature
- they are boring (when have you been excited by a concept statement?)
… the very enemies of a good positioning and communication.
But worst of all they are unrealistic. Consumers have never seen concept boards before so it’s impossible for them to put them into a context and really judge them.
Our Approach
- is precise
- can appeal to consumers just like brands do, by: shocking, provoking, seducing, charming, informing etc.
- talks to consumers how brands normally talk to them
- Brands communicate rather like people:
What they say & in what style Advertising
What they look like & the clothes they choose Packaging
What job they do The Product
- We create multiple expressions (Brandcepts) of how a brand could communicate. Brandcepts consist of three types of stimulus: Adcepts, Packcepts & Productcepts that mimic how a brand would normally communicate.
- The Adcepts are always the most important as we use these to explore what the brand could say and in what style.
- Adcepts are deliberately rough looking pieces of potential press-style advertising. We create multiple executions across each area to explore. We end up with 50 - 100 that go into qualitative research. We need that many because each execution is so precise that we use them like pin-points in the positioning / communication map. For confidentiality we can’t show examples on our website; more importantly, to get a real feel for what we do, one needs to see the scope of what we create for each project i.e. 100 Adcepts which just isn’t possible on a website - but we’d be delighted to show you in person. Contact us.
- We use consumers to show us which they find the most compelling and explore their reasons. That allows us to work back to define the Brand Positioning and / or Communication Brief. It’s important to note, we are not using the stimulus to test creative work; the Adcepts are just a means to an end, to get precise, deep consumer insight that leads to a precise and compelling new direction for the brand.
- Packcepts are more highly finished and used where new packaging / design could play a fundamental part of a brand positioning or re-positioning. They can be particularly useful in determining aspects such as degree of modernity, how upmarket vs everyday, home-made vs high tech etc.
- Productcepts are simple illustrations of potential products / innovations that the brand could launch. They consist of a rough colour illustration of the product or pack format and a short, simple, factual description devoid of hyperbole or attempts to sell.
- The descriptions are kept short so we can show consumers more ideas
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There is no ‘sales’ element or consumer insight in the description as this is much better created and tested through the Adcepts
Benefits of our adcept methodology
Precision – The methodology forces us to go and create actual executions rather than merely describing them. By their very nature executions have to have a precise message, style and tone.
Realistic – consumers can contextualise the Adcepts because they are in a familiar format – they can easily compare them to the competition and so assess their relative appeal / uniqueness.
The ideas have to compete against each other & win to be noticed and picked. Just like real life.
Brings to life – most brand models and briefs are based on descriptive words and perhaps a collage of images. Words are essential but interpretation can be different – plus many people (especially creatives) respond better to visual stimulus. A collage of generic images is not good enough. At the end of the project there will be 3 -10 key Adcepts that define the brand direction precisely and visually – not by describing but by being.
This is particularly important in the area of brand personality. Most descriptions of a brand personality are generic and vague. Indeed, if it was a description of a person one would be hard pushed to recognise them. This methodology allows us to create and define a rich, deep, believable description and illustration of the brand personality.
Breadth – the methodology allows much wider investigation than normally possible which means there is a real confidence that everything has been investigated – no stone left unturned. It allows us to look at the less obvious – which in turn may provide a more original solution.
Speed - although the methodology is more comprehensive it actually saves time. Instead of the team spending time deciding which areas to include and how to merge areas together to get to a manageable amount of stimulus – we simply include all areas.
This methodology also advances the project further. It effectively does two steps in one as it both:
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scopes all the wide areas the brand could occupy
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provides detailed analysis of the most compelling area, even including executional guidelines.
Powerful facilitator for international teams – normally involving international teams in a brand positioning or innovation project is a Catch 22: involve the wider team and progress is slow and a clear direction almost impossible; don’t involve them and they don’t buy into the answer.
This methodology actually benefits by involving the wider team as all their perspectives help our creative process. The process is generative so different countries can all add their thoughts / wishes and we create Adcepts for each area. No time is wasted in the consumer groups, because if an area isn’t relevant or appealing we have a simple method to ensure the group doesn't spend any time on it.
Specific benefits of our adcept methodology
Getting to the 'killer' communication brief
- Provides the confidence to really focus and be single minded.
- The strategy chosen will have been proven to be inspirational creatively (not just great academically).
Define / create compelling brand positionings
Turning an innovation product idea into a brand idea
Scope innovation ideas
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Normally when an innovation idea is tested just one execution is tested. Here we develop multiple angles exploring all the potential benefits, styles and tones. This both ensures that each idea is given its best chance, and allows for deeper analysis into potential appeal.l
Process Outline
The basic process is divided into three stages: Scoping, Creation, Definition
Scoping
Here we scope the potential areas that the brand could occupy. The contents of this stage vary greatly depending what work has already been done. It may include steering research, a review of previous research and / or creative workshops.
This stage ends with us writing our “Creative Brief”. Unlike a regular brief that focuses on one key idea, our brief lists all the areas we want to creatively explore. It lists the key potential creative themes and the creative hooks that expand, explain and enrich the theme.
Creation
Here we take our Creative Brief and our creative teams work through developing multiple Adcepts around each theme.
Our creatives are selected from wide creative disciplines: copywriters, novelists, film directors etc. who are fully trained in our generative technique that is so different from writing regular advertising.
There are Creative Reviews where the Brandcepts are reviewed. The interesting ones are selected by the team to go forward to the research & any missing or additional areas are identified and re-briefed.
Definition
Here we use qualitative research of the Brandcepts to identify and investigate the most compelling areas for the brand. We made the decision years ago to work with qualitative research agencies rather than do the research ourselves. We did this for several reasons:
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Many of our clients have researchers they know, trust and who know the brand well ...and so it makes sense to work with them.
- Qualitative research would always be a secondary part of our business – the best researchers are well known and have set up on their own, we want to work with the best.
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Using a 3rd party ensures the research is completely unbiased.
We work with the best researchers in the world (some of their links are below), and we’ll always make recommendations, but any good qualitative researcher can be taught how to work with our methodology.
Although it is almost unheard of to use such a large amount of stimulus in qualitative research, we have a simple method to making it manageable that ensures that the group focus to get a deep and detailed analysis.
Following the qualitative research groups and the debrief there are Definition Sessions with the core team to crystallise the learnings and write the implementational briefs.
Click on the following published articles for our Brandcept Methodology:
Sadek Wynberg sadekwynberg.com
Spinach spinach.co.uk
Motivaction motivaction.nl
Keystone keystone.be
Davies McKerr daviesmckerr.com
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